Rickshaw Art decorative art of rickshaws, which may be extended to cover all rickshaw decoration, from painted backboards and rear side panels to cut-outs appliquéd on to hoods and brass vases replete with plastic or paper flowers. In a restrictive sense it is generally applied to the painted backboard, a tin plate fixed to the lower rear of a rickshaw hiding the chain. In this sense it is also extended to include the paintings on the rear of autorickshaws or baby taxis. Rickshaw art has been compared to traffic art in other parts of the world, such as the decorated trucks of Pakistan.
Rickshaw art is mainly an urban phenomenon and perhaps dates back to the 1950's. It shares some similarity of theme and execution with movie billboards, which may be ascribed to the fact that many rickshaw painters had either themselves painted movie billboards or had apprenticed with such painters. The art of the rickshaw painter is passed on from ustad, master, to apprentice. There is a lot of repetition, either because of the popularity of some motifs or because of the influence of the master craftsman. The paintings are executed quickly, with readymade enamel paints, which do not allow paints to be mixed. Bright primary colours are popular and the painting is flat, lacking shadows, perspective, and scale.
Rickshaw art is mainly an urban phenomenon and perhaps dates back to the 1950's. It shares some similarity of theme and execution with movie billboards, which may be ascribed to the fact that many rickshaw painters had either themselves painted movie billboards or had apprenticed with such painters. The art of the rickshaw painter is passed on from ustad, master, to apprentice. There is a lot of repetition, either because of the popularity of some motifs or because of the influence of the master craftsman. The paintings are executed quickly, with readymade enamel paints, which do not allow paints to be mixed. Bright primary colours are popular and the painting is flat, lacking shadows, perspective, and scale.
